Mariona writes film critics for El Antepenúltimo Mohicano, Fotogramas and Serielizados, and speaks weekly on the program Va de cine on Ràdio 4 and Tot és comèdia on SER Catalunya. Mariona also wrotes in Sensacine and Other Cinemas Europe. Specialized in covering class A festivals, which he combines with articles for the distributor Mediatres Estudio and other press work. Member of the Catalan Association of Film Criticism and Writing (ACCEC) and of Fipresci.

Screenwriter focused on the horror genre. He has worked in various development teams in production companies and television networks. She is a founder and part of the team Women, Horror and Fantastic of Dones Visuals association. She was part of the first showrunners program of Escac-Mediaset and his first series “Huellas” is currently in the process of sale after passing through the produce Meet Producers and winning the award for best series at Valencia Pitch Forum.

Carme Puche-Moré (Barcelona, 1977) is a director and screenwriter. She has worked in journalism and communication for more than fifteen years before devoting herself to audiovisual productions. Her career as a filmmaker began with “Camille” (Best New Screenplay, Sitges Film Festival 2011) and in the field of fiction she has explored the fantasy world, horror and stream of consciousness in pieces such as “Ferrying Fee” , written by Erin Donovan (The Mentalist), “The Welcome” (selected at more than 20 international festivals) or “The Feathers”, in the distribution phase. In 2014 she premiered the documentary “The Jump!” (AVED Producciones) at the IN-EDIT Film Festival. As a freelance director, she has worked for museums developing visuals, and as a screenwriter she has collaborated with Folch Studio, working on Ada Colau’s campaign. She is currently preparing an audiovisual about motherhood and the city of Barcelona, a film diary for the Barcelona Center for Contemporary Culture (CCCB).

Molecular Biologist by profession and cinephile by nature. The years as a volunteer at the Sitges festival have forged her union with cinema, offering her the opportunity to collaborate as a critic and editor for various national media, as well as to cover film festivals or cultural events. She has served as a Young Jury at the Sitges Festival, and as Critic Jury at the BCN Film Festival, TerrorMolins, Sant Cugat Fantàstic, TaShort Fest or Sabadell Film Festival, among others. She has been press officer and programmer for the Sant Boi Fantastic Film Festival (Fantboi) and is currently working on a new and important project. In addition, she acts as director of the section“Mutacions Cinèfiles” of the magazine «El Cinèfil», is a member of the Associació Catalana de la Crítica i l’Escriptura Cinematogràfica (ACCEC) and has a job in a cinema theatre in Barcelona.

Sandra S. Lopera (Barcelona, 1981) es periodista y crítica de cine, doctorada en ciencias de la comunicación por la Universitat Ramon Llull con la tesis Traduciendo la mirada. Sobre la práctica del montaje en los remakes norteamericanos de las películas de terror japonesas. Fue directora de la sección de cine de la Guía del ocio de Barcelona y ha escrito en medios como el diario Avui, Go Magazine, enBarcelona, Blisstopic, Tomacine o la revista Scifiworld, además de colaborar en el programa de radio La catifa vermella, de Matadepera Ràdio. Es coautora del libro Dime qué te pasa y te diré qué peli ver (Redbook ediciones) y del libro La Naturaleza se Rebela (Hermenaute). Actualmente es responsable de prensa de Phenomena Experience.