{"id":2433,"date":"2025-06-10T10:00:00","date_gmt":"2025-06-10T08:00:00","guid":{"rendered":"https:\/\/temporal.molinsfilmfestival.com\/?p=2433"},"modified":"2025-06-16T21:40:58","modified_gmt":"2025-06-16T19:40:58","slug":"el-terrormolins-2025-celebra-els-25-anys-de-ju-on-reivindicant-el-llegat-del-j-horror","status":"publish","type":"post","link":"https:\/\/www.molinsfilmfestival.com\/eng\/2025\/06\/10\/el-terrormolins-2025-celebra-els-25-anys-de-ju-on-reivindicant-el-llegat-del-j-horror\/","title":{"rendered":"TerrorMolins 2025 celebrates 25 years of &#039;Ju-on&#039; reclaiming the legacy of J-Horror"},"content":{"rendered":"<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/temporal.molinsfilmfestival.com\/wp-content\/uploads\/2025\/06\/3.-web-LETIMOTIF-POST-1920x1080-1-1024x576.png\" alt=\"\" class=\"wp-image-2449\" srcset=\"https:\/\/www.molinsfilmfestival.com\/wp-content\/uploads\/2025\/06\/3.-web-LETIMOTIF-POST-1920x1080-1-1024x576.png 1024w, https:\/\/www.molinsfilmfestival.com\/wp-content\/uploads\/2025\/06\/3.-web-LETIMOTIF-POST-1920x1080-1-300x169.png 300w, https:\/\/www.molinsfilmfestival.com\/wp-content\/uploads\/2025\/06\/3.-web-LETIMOTIF-POST-1920x1080-1-768x432.png 768w, https:\/\/www.molinsfilmfestival.com\/wp-content\/uploads\/2025\/06\/3.-web-LETIMOTIF-POST-1920x1080-1-1536x864.png 1536w, https:\/\/www.molinsfilmfestival.com\/wp-content\/uploads\/2025\/06\/3.-web-LETIMOTIF-POST-1920x1080-1.png 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading has-large-font-size\"><strong>The leitmotif of the 44th Molins de Rei Horror Film Festival will be &quot;J-Horror, beyond scares&quot;, and with it we will celebrate the legacy of Japanese horror, from November 7 to 16, 2025.<\/strong><\/h3>\n\n\n\n<p><\/p>\n\n\n\n<p><strong style=\"white-space: normal;\">Molins de Rei, June 10, 2025&nbsp;<\/strong><span style=\"white-space: normal; font-size: medium;\">\u2014<\/span>&nbsp;In 2000, Japanese filmmaker Takashi Shimizu presented&nbsp;<em>Ju-on<\/em>, the first installment of an emblematic and prolific cinematic lineage. This year marks the 25th anniversary of its release and the Molins de Rei Horror Film Festival 2025 joins in the commemoration by dedicating this edition to&nbsp;<strong>J-Horror<\/strong>&nbsp;\u2014Japanese horror\u2014, which marked the beginning of the new millennium. In this genre, the&nbsp;<strong>Japanese folklore<\/strong>&nbsp;and the&nbsp;<strong>modern technology<\/strong>&nbsp;(videotapes, telephones and computers) joined hands. This cinema focused on atmosphere and psychological discomfort, with ghosts like the\u2019<em>onry\u014d<\/em>&nbsp;\u2014female figures from the afterlife seeking revenge\u2014 have become very popular icons. Despite tight budgets, J-Horror still generates unease today, thanks to a refined aesthetic, its symbolism, its slow pace and its ability to speak to us about the absurdity of modern life through trauma, stories of loneliness and existential terror.<\/p>\n\n\n\n<p><strong>J-Horror, beyond the scare&nbsp;<\/strong>is the leitmotif that will accompany this 44th edition of the festival, which will take place from&nbsp;<strong>November 7 to 16<\/strong>, with the&nbsp;<strong>La Peni Theatre<\/strong>&nbsp;as its main headquarters. <\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>We start the countdown to the start of I TerrorMolins 2025 with this text:<\/p>\n\n\n\n<p class=\"has-small-font-size\"><em>\u201cIn the nineties, the uninhibited slasher and a parodic touch of Chucky, Scream, I Still Know What You Did Last Summer reigned supreme\u2026 But the entry into the new millennium coincided with the boom of&nbsp;<strong>J-Horror<\/strong>, a breath of fresh air that revitalized the genre with films (and video games) where vengeful ghosts scared the staff. Ju-on and Ju-on 2 are from 2000 and were distributed directly to video, but their word-of-mouth success allowed Takashi Shimizu to shoot two years later, with more resources, Ju-on: The Grudge, more of a sequel than a remake.<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\"><em>The terrible story has its origins in a house in Tokyo, when Takeo Saeki, convinced that his wife is unfaithful to him, brutally murders her and does the same to his son Toshio (and the cat). In Ju-on we find the classic theme of a haunted house (the film&#039;s central character) and a vengeful ghost or onry\u014d. Most onry\u014d are women who had been abused in life by their parents, husbands or lovers and have an unmistakable appearance with roots in Kabuki theater: unkempt and very long black hair, ultra-pale makeup and a white kimono of mourning. According to popular belief, when someone dies a victim of anger, it generates a curse that settles in the places where they moved and where they died. If you enter one of these places or come into contact with someone cursed, you will become a victim and will spread it as if it were a virus.<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\"><em>Two years earlier, Sadako emerging from the television in Ringu (Hideo Nakata, 1998) had put J-Horror on the map, with the archetype of the ghost of the well and the symbolism of stagnant water associated with death, which we will also find in Dark Water (Hideo Nakata, 2002). Cult filmmakers such as the prolific Takashi Miike jumped on the bandwagon with Chakushi ari (Missed Call) in 2003, where he repeated the effective clich\u00e9s of the subgenre, far from the dense and unclassifiable \u00d4dishon (Audition) with which he amazed us in 1999 (both of which we were able to enjoy at TerrorMolins).<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\"><em>In recent years, the fever for J-Horror seems to have subsided, after juicy crossovers like Sadako vs. Kayako (2016), which unabashedly mixes the mythologies of Ringu and Ju-on. But, for example, last year K\u00f4ji Shiraishi signed House of Sayuri, also with a haunted house, and in 2022 Kisaragi Station, by Jir\u00f4 Nagae, about a cursed train station, was released. Hold on tight to your seat, the girl with the whitest face and endless black hair can appear when you least expect it!!\u201d<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>","protected":false},"excerpt":{"rendered":"<p>El leitmotiv del 44\u00e8 Festival de Cine de Terror de Molins de Rei ser\u00e0 \u201cJ-Horror, m\u00e9s enll\u00e0 de l\u2019ensurt\u201d, i amb ell celebrarem el llegat del terror japon\u00e8s, del 7 al 16 de novembre de 2025. Molins de Rei, 10 de juny de 2025&nbsp;\u2014&nbsp;L\u2019any 2000, el cineasta japon\u00e8s Takashi Shimizu presentava&nbsp;Ju-on, primera entrega d\u2019una emblem\u00e0tica [&hellip;]<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[152,62],"tags":[55,54],"class_list":["post-2433","post","type-post","status-publish","format-standard","hentry","category-44-edicio-2025","category-leitmotiv-ca","tag-molins-de-rei-ca","tag-terror"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>El TerrorMolins 2025 celebra els 25 anys de \u2018Ju-on\u2019 reivindicant el llegat del J-Horror | Molins Horror Film Festival<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.molinsfilmfestival.com\/eng\/2025\/06\/10\/el-terrormolins-2025-celebra-els-25-anys-de-ju-on-reivindicant-el-llegat-del-j-horror\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El TerrorMolins 2025 celebra els 25 anys de \u2018Ju-on\u2019 reivindicant el llegat del J-Horror | Molins Horror Film Festival\" \/>\n<meta property=\"og:description\" content=\"El leitmotiv del 44\u00e8 Festival de Cine de Terror de Molins de Rei ser\u00e0 \u201cJ-Horror, m\u00e9s enll\u00e0 de l\u2019ensurt\u201d, i amb ell celebrarem el llegat del terror japon\u00e8s, del 7 al 16 de novembre de 2025. Molins de Rei, 10 de juny de 2025&nbsp;\u2014&nbsp;L\u2019any 2000, el cineasta japon\u00e8s Takashi Shimizu presentava&nbsp;Ju-on, primera entrega d\u2019una emblem\u00e0tica [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.molinsfilmfestival.com\/eng\/2025\/06\/10\/el-terrormolins-2025-celebra-els-25-anys-de-ju-on-reivindicant-el-llegat-del-j-horror\/\" \/>\n<meta property=\"og:site_name\" content=\"Molins Horror Film Festival\" \/>\n<meta property=\"article:published_time\" content=\"2025-06-10T08:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-06-16T19:40:58+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/temporal.molinsfilmfestival.com\/wp-content\/uploads\/2025\/06\/3.-web-LETIMOTIF-POST-1920x1080-1-1024x576.png\" \/>\n<meta name=\"author\" content=\"terrormolins\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" 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