The Non-Competitive Screening: 20th Anniversary TerrorMolins are two continuous sessions or blocks with a selection of shorts that have been through the Festival.
Half of an entire existence. Of its forty editions, short films have been a fundamental part of the Festival in the last twenty. A good part of these short films, among the thousands we have received, have left a deep mark on both the public and the organization. They are the ones that confirm our existence and also our insistence and, despite not all of them being there, all of them are. It is only a small sample. Small, but intense.
| Children's games by Paco Ruiz. Spain Tuck me in by Ignacio Rodó. Spain Tight by Sergi Vizcaino. Spain The Quiet by Kike Mesa. Spain Centrifugado by Mireia Noguera. Spain Violeta, the fisherwoman of the Black Sea by Marc Riba, Anna Solanas. Spain 9 steps by Marisa Crespo, Moisés Romera. Spain Brutal Relax by Adrián Cardona, Rafa Dengrá, David Muñoz. Spain Picnic by Yayo Herrero. Spain Post Mortem Mary by Joshua Long. Australia |
The Globus Section presents 10 short films that can be enjoyed independently.
The section was born in 2020 in a pandemic context with a clear and forceful purpose: to include short films that bring us closer to human diversity in all its dimensions. The main objective of the Globus section is to offer a different, singular, or at least alternative presence, to new perspectives on the genre while going beyond the classic concept of horror.
We: the beasts by Marcelo Landaeta. Bolivia
Strigoi by Aron Florian. Romania
Hunger by Carlos Meléndez. Mexico.
The departure of Nico van den Brink. Netherlands. Netherlands.
Stuck by Pablo Tobon. colombia
Tekenchu by Carlos Matienzo. Mexico.
Bad Trip by Rubathinesh Nair. malaysia.
J'ai le Caffard by Maysaa Almumim. Kuwait.
Itsy Bitsy Spider by Brodi-Jo Scalise. canada.
Hansel by Vivian Papageorgiou. Greece.
Dystopia by Laura Ugolini. Norway.
