Second preview of programming with ten new films and horrors that travel from Mexico to New Zealand and from the Middle Ages to apocalyptic futures.
Art the Clown returns to Molins de Rei with the third installment of one of the most celebrated sagas in current horror.
‘'El instinto', starring Javier Pereira, Eva Llorach and Fernando Cayo, will have its Catalan premiere at TerrorMolins.
18/09/2024 | The Molins Horror Film Festival announces a second batch of films joining the festival's programming. There are 10 new proposals that can be seen between November 8 and 17 at the Teatre de La Peni in Molins de Rei, and that will be part of the different sections of the festival. Among the ten titles, the return to the festival of one of the most famous characters in current horror cinema, Art the Clown, whose previous film had its Spanish premiere at TerrorMolins, stands out. Terrifying 3, in a special session, will be one of the highlights of the 43rd edition along with The instinct. Juan Albarracín's debut feature, with a trio of luxurious leads —Javier Pereira, Eva Llorach and Fernando Cayo—, will have its Catalan premiere in Molins a few weeks after being seen worldwide for the first time at the Abycine festival. With this announcement The press accreditation period opens of the festival, which can be requested here.
Ten films, ten centuries and four continents. The ten titles included in the 43rd TerrorMolins program are a diverse assortment of origins, times and themes, and include new proposals from established filmmakers such as the Thai Kongkiat Komesiri (Operation Undead), the Polish Bartosz M. Kowalski (Night Silence) or the Mexican Isaac Ezban (Párvulos: Sons of the apocalypse) as well as such powerful debuts as Sasha Rainbow (Grafted) or Juan Albarracín himself (The instinct).
In the Dutch film Heresy (Witte Wieven), a young woman belonging to a small rural community in medieval Holland enters the forbidden forest, on a path of no return of liberation and pagan rituals that recalls great titles of the horror folk how The witch by Robert Eggers. Into the Wild Operation Undead, the Japanese invasion of the Thai coast during World War II serves as a framework for reconfiguring history and stereotypes about the undead. Kongkiat Komesiri (Art of the Devil 2) proposes a war epic of terror that moves between the most festive gore and the most solemn emotionality. Justin Benson and Aaron Moorhead directors of cult films com The infinite, they produce Things Will Be Different, by Michael Felker, a science fiction and horror proposal about two brothers who flee after committing a robbery. A Night Silence, by the Polish Bartosz M. Kowalski, known for the captivating Playground, an old man moves to a bucolic residence whose walls are shelters for disturbing creatures.
In New Zealand Grafted, director Sasha Rainbow comes up with one body horror disturbing and playful about failed experiments and culture shocks; from Ireland, and after causing a sensation at the Locarno festival, it arrives Frewaka, by Aislinn Clarke, a story about a palliative care nurse tormented by a past trauma; and from Belgium, and after passing through Toronto, she does Else, a very unique debut film by Thibault Emin, between horror, romance and fantasy, about a couple who meet in the middle of a pandemic that causes people to merge with their surroundings. And about pandemics, or their fatal consequences, the Mexican speaks Párvulos: Sons of the apocalypse, by Isaac Ezban (The incident), a post-apocalyptic horror film where a family tries to survive external threats by taking refuge in a cabin in the woods that hides a dark secret.
To all these are added Terrifying 3, the Christmas return of the sadistic clown Art to martyrize the inhabitants of Miles County, and The instinct, Juan Albarracín's debut starring a stellar trio formed by Fernando Cayo and Goya winners Javier Pereia and Eva Llorach. A horror thriller in which an architect desperate for his agoraphobia will let himself be helped by a dog trainer with a murky background.