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After the announcement of the Festival’s leitmotiv, comes one of the most special moments for us, the presentation of the official poster, a collaboration between photographer Joan Gosa and designer Joan Jarque, both members of the festival team.
How was the creative process for the poster?
As you know the leitmotif of this edition is Counterculture and the poster of the 40th edition is based on that concept. We wanted to make a tribute to all our posters, as well as a tribute to that search for a new view to break away from the authoritarian society, typical of the decade that saw the birth of the Festival in that distant 1973. We opted for a large hand made collage, then photographed and digitally formatted. It takes us to the seventies posters and the counterculture movement of that time.
Joan Gosa, born in Pallejá, is a professional freelance photographer. He considers himself passionate about world cultures and the relationship between man and nature. He combines his great passion for travel with his work as a sports and news photojournalist for a major news agency. He has his own photographic studio, where he develops his personal and professional projects with his customers. His relationship with TerrorMolins began in 2017, attending as official photographer; from that moment he became a vital part of the Festival.
Joan Jarque, born in Molins, defines himself as a multidisciplinary designer passionate about video-mapping and horror cinema. He collaborates in the direction of the Festival’s communication, within the communication and marketing department, as well as in the creation and realization of live video-mappings during the days in which the event is held. He works as a creative producer for the Framemov studio and is also a freelance graphic designer for various brands. His relationship with TerrorMolins began in 2001, attending the Festival with his parents, also great lovers of this appointment with the genre cinema. It is clear that horror belongs to his DNA.